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Wednesday, May 30, 2018

The Beatles "White Album" Showdown: The Final Round

8:51 AM Posted by Nicole M



Our Beatles "White Album" Showdown has finally arrived at the end, the final matchup, the round that will determine which of the 30 tracks on "The White Album" double LP is the best of the bunch.




The Final Round

#4 Helter Skelter vs #3 Happiness is a Warm Gun

Paul wanted to write the heaviest song ever put to record, something sweaty, nasty, loaded with loud guitars, thudding bass, crashing drums, and screaming vocals. He succeeded with "Helter Skelter," and is often credited with inventing the "heavy metal" genre in the process.

The song is about an amusement park slide, and appropriately, begins with a shrieking guitar note that slides down the scale into immediate dissonance, as the riff works its way backwards through a "Secret Agent Man" type of chromatic lick. From then on it's a banger, and Paul's raucous vocal is perhaps one of his finest "shredders" captured on tape.

The high, wailing background vocals add a thrill factor and do plenty of their own "sliding" around throughout the song.

It's a tour-de-force and easily one of the best songs on the album.

*****

John's multi-faceted "Happiness is a Warm Gun" is likewise heavy, but in a more grinding and even-paced fashion, slightly less hyper than "Helter Skelter." The opening is lyrically fascinating, with its talk of multicolored mirrors, hobnail boots, lizards on window panes, soap sculptures being eaten, and the touch of a velvet hand.

The middle section is equally compelling, with low and distorted guitar riffs, driving the song into a near frenzy of repeated exclamations, "Mother Superior, jump the gun!"

And then suddenly it's in doo-wop territory, but with an almost jarring background vocal: "Bang, bang, shoot, shoot!" John delivers one of his best vocal performances in this final phase of the song, screaming, "I feel my finger on your trigger, I know nobody can do me no harm!" The shivering high falsetto ending just puts the icing on the cake.

This song, too, is one of the best of the album.

But in the end, a winner must be declared, and so the victory goes to ...

[drum roll]

[screeching guitars]

"I GOT BLISTERS ON MY FINGERS!"




Yes, the honor of Best Song on "The White Album" goes to "Helter Skelter." That raw energy, sustained for so long, is absolutely unbeatable.

Now that we've completely disassembled this epic double LP, be sure to put it all back together again soon and give the whole thing another listen, in its entirety. Make an event out of it. Enjoy the photo collage, crank up the volume, and experience the saga again with fresh ears.

The final word goes to Paul McCartney, quoted from Anthology: "You know, I'm not a great one for that -- you know, 'maybe it was too many,' or that -- look, what do you mean? It was great! It sold, it's the bloody Beatles White Album, shut up!"

Wednesday, May 23, 2018

The Beatles "White Album" Showdown: Rounds 3 & 4

8:29 AM Posted by Nicole M


The Beatles "White Album" showdown continues! In the previous two rounds, we'd taken all 30 tracks from The Beatles' famous double LP (released 50 years ago this November) and matched them against each other, tournament style, resulting in our arrival this week at the Elite Eight and the Final Fab Four contests.

As we near the conclusion of the tournament showdown, we'll push through two rounds in this installment, and save the final championship song-vs-song matchup for next week.

Here we go, then, with ...

The Elite Eight 

(click the image to enlarge)



#1 Back in the USSR vs #9 While My Guitar Gently Weeps
None of these are easy matchups, and Paul's hard-rocking, tongue-in-cheek celebration of life in the Soviet Union is met blow-for-blow by George's philosophical observations backed by once-in-a-lifetime guitar riffs. In the end, "USSR" wins the match with just an extra kick of excitement and drive.

#4 Helter Skelter vs #12 I'm So Tired
Did I say none of these were easy matchups? This one is fairly easy. "Helter Skelter" wins in decisive fashion. "I'm So Tired" is a great song (aren't they all?), but "Helter Skelter" comes out of the gate swinging, and it just never lets up until you're left, sweaty and spent, wondering what just hit you.

#2 Dear Prudence vs #7 Sexy Sadie
John vs John, Sadie vs Prudence, a guitar masterpiece vs a beautiful piano piece. It's a close call all the way, but "Dear Prudence" is more lyrically compelling, more musically interesting, and overall just has that extra "something" that "Sadie" doesn't quite have. But wow, these are both really, really good songs. Some people are inclined to think of "The White Album" as John's album, and it's material like this that makes it hard to argue. "Dear Prudence" goes on to the next round.

#3 Happiness is a Warm Gun vs #6 Blackbird
"Blackbird" stuck around for a few rounds, as it should have, but ultimately it has to yield here to John's little operetta. You just don't find lyrics anymore like "a man in the crowd with the multicolored mirrors on his hobnail boots," or "a soap impression of his wife which he ate and donated to the National Trust." So we say bye, bye to "Blackbird," and "Happiness" advances.

The Final Fab Four

(Click the image to enlarge.)




The excitement builds! Four songs left standing out of the original 30! At the end, we will be left with just the two best songs remaining.

#1 Back in the USSR vs #4 Helter Skelter
Rockin' Paul vs Rockin' Paul. How do you even declare a winner here? This matchup nearly needs to go into overtime, so closely matched are these two songs. But from the opening scream of distorted, dissonant guitar, right on through to the breathless, drum-pounding, finger-blistering end, "Helter Skelter" is a Category 5 Hurricane of Awesome, and it wins the matchup, upsetting the Number One seed.

#2 Dear Prudence vs #3 Happiness is a Warm Gun
The previous matchup featured Paul vs Paul, and this one features John vs John in a real nail-biter. The background vocals are even neck-and-neck at this point: "Look around, round, round ... round, round," and "Happiness ... bang, bang, shoot, shoot!" Another matchup that requires overtime and extra listening, it has to be "Happiness" that wins, but barely. George's mini-solo in the middle of the song probably gives it the push necessary to win. Two upsets in a row!

And now we have arrived. Next week, the ultimate showdown: "Happiness is a Warm Gun" squares off against "Helter Skelter" for the championship title, the award of "Best Song on the White Album."

Don't miss the thrilling conclusion!

Wednesday, May 16, 2018

The Beatles "White Album" Showdown: Round 2

8:39 AM Posted by Nicole M



Welcome to Round Two of The Beatles "White Album" Showdown! Last week, we spent a good deal of time ignoring the yard work that needed to be done, and instead pitted the 30 individual tracks on The Beatles (aka "The White Album") against each other in head-to-head matchups, resulting in 16 tracks being declared winners. A splendid time was guaranteed for all, and the resulting bracket looked like this (click to enlarge the image):




This week, because there is still yard work to be done, those 16 tracks will be further narrowed down to an Elite Eight. Highly scientific methods were employed here: musical structures were evaluated against lyrical content, production value was taken into consideration, and then ultimately it was decided that this seemed like a lot of work, and flipping a coin was easier.

So let's get to it!

#2 Dear Prudence vs #18 Why Don't We Do It in the Road?
Paul McCartney's fun little novelty song about committing acts of indecent exposure was fun while it lasted, but John Lennon's masterpiece wins this round easily, not least because of some seriously cool guitar picking in the intro and outro. "Prudence" advances.

#1 Back in the USSR vs #17 Piggies
Both songs employ the use of clever sound effects, but Paul's send-up of Chuck Berry-style lyrics and Beach Boys-style vocals is fantastically clever, and a driving good rocker to boot. "USSR" wins hands down, with a paper bag on its knee.

#9 While My Guitar Gently Weeps vs #8 I Will
A very close matchup, right down to the final buzzer. "I Will" is one of the sweetest love songs ever written, but "Guitar" has a special claim to fame: it was the final song George Martin ever scored for orchestra strings. (See the version on the Love album.)

#4 Helter Skelter vs #13 Everybody's Got Something to Hide Except Me and My Monkey
Two rocking tunes, lots of screaming, an overdose of dirty guitar -- this is one close contest. Have you ever listened to the shrieking background vocals in "Helter Skelter," though, especially in the mono version? Absolutely spine-tingling. "Helter Skelter" emerges victorious. See you at the bottom!

#12 I'm So Tired vs #5 Revolution 1
Let's face it: the faster, heavier version of "Revolution" was cooler. And "I'm So Tired" has that weird mumbled bit at the end that, when played backwards, reveals clues about Paul McCartney's death. "Tired" was never going to lose this round.

#10 Julia vs #7 Sexy Sadie
John's surly take-down of the Maharishi in "Sexy Sadie" is crammed full of quotable lines, set to a catchy tune and capped off with that memorable, haunting falsetto "oooooh." It's tough to beat, and in this contest, "Sadie" wins.

#3 Happiness is a Warm Gun vs #14 Ob-La-Di, Ob-La-Da
Yes, Paul's bouncy little jingle is happy and go-lucky, but John's three-part opus is legendary, and features some sizzling guitar work by George Harrison in the middle section. "Happiness" wins without much of a struggle.

#22 Honey Pie vs #6 Blackbird
Does "Blackbird" have what it takes to win here, with its fancy guitar work, simple tap-tap percussion, and hopeful lyrics? Obviously. "Blackbird" moves on to the next round.

For those keeping score at home, then, the Elite Eight of The Beatles "White Album" are these:

  • Dear Prudence
  • Back in the USSR
  • While My Guitar Gently Weeps
  • Helter Skelter
  • I'm So Tired
  • Sexy Sadie
  • Happiness is a Warm Gun
  • Blackbird

Next week, we'll narrow these down to the Final Fab Four, the Semi-Finals, and -- drumroll, please, Ringo -- the ultimate winner, the without-a-doubt best song on the entire album. I'm certain we'll all agree on the results!

Wednesday, May 9, 2018

The Beatles "White Album" Showdown: Round 1

10:23 AM Posted by Nicole M



This whole thing started with a fairly innocent question: can The Beatles' double-LP, commonly known as The White Album, be reasonably trimmed down to a single, cream-of-the-crop disc? George Martin famously said in The Anthology that he wished they had done exactly that, but we're talking about throwing away half of the 30 songs on the album here. It can't be done! Or can it?

And that's when this innocent little question somehow got bit on the arm by a zombie and became an un-dead monster with a life of its own. Not content with devouring 15 of the 30 songs, the query became "What if 15 songs become eight, and what if eight became four, and WHAT IF WE HAD A BRACKET-STYLE TOURNAMENT TO DETERMINE THE ALL TIME GREATEST SONG ON THE WHOLE WHITE ALBUM?!?!?!"

It might just be the most awesome thing ever, especially if adult beverages are involved. The tournament bracket looks like this (click to enlarge the image):




So here we go with the opening round, in which both "Back in the USSR" and "Dear Prudence" get a bye, and the rest of the songs just thrash it out until we're left with a one-disc album.

#16 Martha My Dear vs #17 Piggies
Animal song against animal song, sheep dog versus swine, big cheery brass taking on baroque harpsichords and strings. It's a close one right down to the wire, but the piggy sound effects and "one more time"-plus-big-strings-coda push "Piggies" over the edge into victory.

#9 While My Guitar Gently Weeps vs #24 Savoy Truffle
This is a tough one. On the one hand, you've got a beefed up saxophone section driving a song about Eric Clapton's mouthful of cavities and toothaches, but on the other hand you've got Eric Clapton himself playing a searing guitar solo for the ages. Did I say this was a tough one? It's not. "Guitar Gently Weeps" by a landslide.

#8 I Will vs #25 Don't Pass Me By
A sweet acoustic ballad about the wonders of love, lilting and wonderfully delivered via McCartney's tenor vocal, will always beat Ringo honking out an overly simple barn-and-hay tune that includes lyrics like "you were in a car crash, and you lost your hair." Winner: "I Will."

#4 Helter Skelter vs #29 Wild Honey Pie
I've never considered these two songs side by side, but I think I just discovered the Yin & Yang of the Maccaverse. One song shows what Paul could do when he set his mind to executing a plan ("all I wanted to do [was] make a very loud, raunchy rock 'n' roll record"), and one shows what happens when you smoke a joint the size of a large burrito. "Helter Skelter" wins easily.

#13 Everybody's Got Something To Hide Except Me And My Monkey vs #20 Mother Nature's Son
Paul's finger-picking ode to daisies and mountain streams is lovely, but it's a solo effort that probably belonged on McCartney or Ram, while John's screaming, thrashing, caffeine-induced urgings to "come on, come on, come on, come on, come on" are a full band effort. The gnarly bass lick at the end kicks the song into the next level. "Monkey" wins this one.

#12 I'm So Tired vs #21 Good Night
Songs about being tired versus songs about going to sleep? I guess I'd rather stay up, have the cigarette and the drink that John suggests, and continue cursing Sir Walter Raleigh until the wee hours. "I'm So Tired" takes this contest without much trouble.

#5 Revolution 1 vs #28 The Continuing Story of Bungalow Bill
"Bungalow Bill" is a silly song, oddly constructed, badly ended (did someone forget to tell the Mellotron player the song was over?), needlessly long-titled, and -- worst of all -- contains 250% more than the FDA-recommended amount of Yoko Ono vocals. "Revolution 1," for the win.

#15 Long, Long, Long vs #18 Why Don't We Do It In The Road?
Play the first 8-10 seconds of "Why Don't We Do It In The Road?" That drum riff, with the whip-crack handclaps? Yeah, that's why this song wins.

#10 Julia vs #23 Cry Baby Cry
John gets massive points for spinning an oddball yarn about kings, queens, dukes, and seances interrupted by prankster kids, but let's face it: his tightly constructed song of mourning for his mother is a masterpiece. "Julia" was always going to win this contest.

#7 Sexy Sadie vs #26 Birthday
Yes, I did say it's my birthday, but I do not for even a second believe that it's your birthday too, Paul. Also, there's more Yoko in this song. "Sexy Sadie" wins for being an awesome, biting rebuke set to music.

#3 Happiness Is A Warm Gun vs #30 Revolution 9
After waiting around for over eight minutes, the other team never even showed up to play, so "Happiness Is A Warm Gun" wins this round by default.

#14 Ob-La-Di Ob-La-Da vs #19 Yer Blues
Yes, a lot of people like the little bluesy jam-fest in the closet, but consider this: no. The Beatles and blues are a tenuous partner to begin with, and authentic blues is usually a bit more subtle and metaphorical, lyrically speaking. You say things like, "I went down to the crossroads and tried to flag a ride," or "The sky is crying, can you see the tears roll down the street," or even "Boom, boom, boom, boom," but not usually something so on-the-nose as "Yes I'm lonely, wanna die." This round goes to the chirpier, cheerier "Ob-La-Di, Ob-La-Da."

#11 Glass Onion vs #22 Honey Pie
In a stunning upset, the homage to the dance hall defeats the imagery-loaded lyrics full of callbacks to previous Beatles songs. It's not that "Glass Onion" isn't a great song, it's that "Honey Pie" is just a really, really well-written genre tribute with wildly interesting chord changes, and a once-in-a-lifetime jazz guitar solo played to perfection by John, of all people. "Honey Pie" advances to the next round.

#6 Blackbird vs #27 Rocky Raccoon
Both songs are about animals, both songs are Paul compositions, and both are played out on a simple set of acoustic guitar chords. Except that "Blackbird" is a parable with profound meaning, hung on a musical architecture that is both simple and stunning at the same time, and "Rocky Raccoon" is about a trash-digging animal who is apparently in an intimate relationship with a human female. (No wonder she changed her name three times.) "Blackbird" soundly wins the round.

And that was that. Your newly fashioned, "guaranteed not to crack," single-LP version of The White Album is as follows:
  • Back in the USSR
  • Dear Prudence
  • Ob-La-Di, Ob-La-Da
  • While My Guitar Gently Weeps
  • Happiness Is A Warm Gun
  • I'm So Tired
  • Blackbird
  • Piggies
  • Why Don't We Do It In The Road?
  • I Will
  • Julia
  • Revolution 1
  • Helter Skelter
  • Everybody's Got Something To Hide Except Me And My Monkey
  • Sexy Sadie
  • Honey Pie
Stick around, though. There's more White-whittling left to be done.

Tuesday, March 6, 2018

30 fun facts about The Beatles White Album (take 2)

10:36 AM Posted by Nicole M



In part one of this two-part series, we took a little ride through the first half of The Beatles White Album and dug up some fun facts for the initial 17 tracks. As promised, let's carry on now with the second half of the double album!

Birthday
The entire song was written in the studio one September evening while Paul was waiting for the others to show up for a White Album recording session. By the end of the evening, the song was fully recorded. A cool trick, to be sure, but there's a flip side to banging out something that quickly: John famously said of the tune, "it was a piece of garbage."

Yer Blues
This was one of Ringo's favorite tracks on the album it was recorded "live," in a tiny room next to Studio 2 in Abbey Road. At a time when the band was already starting to splinter and fracture, this eyeball-to-eyeball effort was a throwback to the good old days: "you can't top it ... the four of us were in a box, a room about eight by eight, with no separation. It was this group that was together." (Ringo, as quoted in Anthology)

Mother Nature's Son
This track was recorded during the same session that saw Paul record "Wild Honey Pie," and as on that track, so also here Paul handled all of the vocals and instruments himself (not including the brass, of course).

Everybody's Got Something To Hide Except Me And My Monkey
Fact: this track is not very good, until you crank up the volume to nose-bleed levels, at which point it becomes awesome.

Sexy Sadie
A lot of Beatles fans know that this song was John's disgusted, disillusioned parting jab at the Maharishi, but not everyone realizes that this song was so much about the Maharishi that John initially wrote the lyrics:

Sex-y Sa-die
What have you done?

As:

Ma-ha-ri-shi
What have you done?

George Harrison wisely talked John out of being quite so on-the-nose about the whole thing.

Helter Skelter
The mono version of this recording does not contain Ringo's cry at the end of the song, "I've got blisters on my fingers!"

Long, Long, Long
On the final, drawn-out chord of this song, the recording features a rattling sound that was quite deliberate. A bottle of Blue Nun wine sitting on top of a speaker was the culprit, but The Beatles liked the odd little addition so much that they had their assistant producer put microphones around the bottle so they could capture the sound more fully.

Revolution 1
At the end of each chorus there is a short acoustic guitar riff that is introduced by two loud, crashing drum and cymbal hits, such as the one found at 1:17 on the track. However, at 3:24 this drum crash is heard *three* times instead of two, adding an extra beat to the measure. This was an accident in the editing room. At this point in the song, a different take was spliced in, but it was added one beat too late.

Honey Pie
This track is just one of a very small handful of Beatles songs on which John -- not George or Paul -- played the lead guitar solo. (Other examples include "Get Back," "You Can't Do That," and "Hey Bulldog.") As George Harrison later said, it was "a brilliant solo ... sounded like Django Reinhardt or something."

Savoy Truffle
John gets all the credit for turning an antique circus poster into the lyrics of "Being For The Benefit Of Mr. Kite," but let's give it up for George and his magic trick of turning the contents list of a box of "Good News Chocolates" into the lyrics of "Savoy Truffle." (Bonus fact: the two chocolates named by George that did not come from the box were "Cool Cherry Cream" and "Coconut Fudge.")

Cry Baby Cry
The haunting "can you take me back?" outro of this song was a bit of spontaneous nonsense recorded by Paul between takes of "I Will." The snippet heard here only lasts a few seconds, but the extended recording (which can still be found on YouTube) goes on for almost two minutes, and includes Paul singing lines like, "I ain't happy here, my honey, can you take me back?"

Revolution 9
The name "Revolution 9" suggests some link to the earlier track "Revolution 1," and indeed, there is. While recording Take 20 of "Revolution 1" (which begins with Geoff Emerick announcing "this is Revolution, take ...", followed by John's interjection, "take your knickers off!"), The Beatles went into an extended ten-minute jam. This jam, featuring John screaming "all right!", is what was later used as the base for "Revolution 9." Tape loops and effects were added later, and we're all richer for it, I'm sure.

Good Night
Going back to the Rubber Soul album, this track marks the fifth consecutive (and final) album to end with a John composition:

  • Rubber Soul: "Run For Your Life"
  • Revolver: "Tomorrow Never Knows"
  • Sgt Pepper: "A Day In The Life"
  • Magical Mystery Tour: "All You Need is Love"
  • The White Album: "Good Night"

Wednesday, February 28, 2018

30 fun facts about The Beatles White Album

8:36 AM Posted by Nicole M


The year 2018 marks the fiftieth anniversary of The Beatles' first and only double album, officially called The Beatles, but unofficially known to fans all over the world as The White Album. Full to bursting with 30 different tracks, The White Album certainly provides a great deal of variety to the listener, as well as perhaps a few clues as to where each band member was heading individually.

Here, then, is the first part of a two-part look at The White Album, with some fun facts for each of the 30 songs.

Back In The USSR
In the opening lyric, Paul sings, "Flew in from Miami Beach, B.O.A.C.", a reference to the British Overseas Airways Corporation airline -- known today as simply "British Airways." Paul's facts are correct: British Overseas Airways Corporation did indeed historically service airports in both Miami and Moscow.

Dear Prudence
Ringo does not appear on this track, because he had temporarily quit the band. He wasn't gone for long, but in his absence, the other three Beatles went ahead and recorded the basic tracks for this song, with Paul on drums. (Bonus: at 1:46 in the song, Paul accidentally hits his bass note too soon.)

Glass Onion
This is a dovetail joint:


And all this time, I'll bet you thought John was talking about pot.

Ob-La-Di, Ob-La-Da
The first time Paul sings the closing lyrics, "Desmond lets the children lend a hand," John and George can be heard yelling "arm!" and "leg!" after Paul sings "hand." On the second pass, "Molly lets the children lend a hand," George can be heard saying, "foot!"

Wild Honey Pie
Paul did this entire track himself, including all the vocals, percussion, and guitars. Historians are still trying to figure out why.

The Continuing Story Of Bungalow Bill
The opening flamenco guitar riff that starts this song was actually just a demo sound clip that came with the Mellotron The Beatles used in the studio.

While My Guitar Gently Weeps
Most Beatles fans are aware that Eric Clapton played the lead guitar solo for this track (at George Harrison's request), but not everyone knows that Clapton was quite concerned that his solo didn't sound "Beatle-y" enough. To that end, extra effects and wobble were applied to the tape in the studio, which is why on the album his guitar appears to drift in and out of tune.

Happiness Is A Warm Gun
When John begins the section, "When I hold you in my arms," the bass, guitar, and vocals all shift into 3/4 ("waltz") time while Ringo's drums stay in standard 4/4 time. The two competing time signatures are what give this section its trademark push-and-pull feel.

Martha My Dear
Much like "Blackbird" from this same album, "Martha My Dear" was born out of Paul's attempts at challenging his technical abilities. As he said to Barry Miles, "this started life almost as a piece you'd learn as a piano lesson ... it's slightly above my level or competence really, but I wrote it as that, something a bit more complex for me to play."

I'm So Tired
Why does John want to "curse Sir Walter Raleigh" after saying he'll "have another cigarette" in the final verse of this song? Because Sir Walter Raleigh was the historical figure who (so they say) first brought tobacco to England. There's even a brand of cigarette and pipe tobacco with Raleigh on the label!



Blackbird
The singing bird effects used in this piece are different depending on whether you're listening to the stereo mix or the mono mix. In the mono mix, that bird is singing his head off! (I wonder where that bird is today?)

Piggies
George had an extra verse for this song that didn't make the final cut, but you can hear him sing it on recordings of his live concert in Japan:

Everywhere there's lots of piggies, playing piggy pranks
You can see them on their trotters, at the piggy banks
Paying piggy thanks to thee, pig brother

Rocky Raccoon
This is the third track in a row to feature an animal: birds, piggies, and now raccoons. That was deliberate. When George Martin came to the end of producing this album, he had to decide how to sequence these 30 tracks to give them some kind of coherent running order. No small task! One decision that was easy? Take the three "animal songs" and group them together.

Don't Pass Me By
It took Ringo five years to write this song, which means that he started working on it back in 1963, when the lads were still mop-tops who hadn't yet even conquered America. During an interview with the group on the BBC's show "Top Gear" in 1964, Brian Matthew asks Ringo if he plans to write any songs, and Paul starts singing the chorus from "Don't Pass Me By." So, yes, it was in Ringo's head way back then.

Why Don't We Do It In The Road?
Perhaps more than any song on the album, this track is a glimpse into Paul's near future. Barely two years later, he would be doing exactly what he did on this track: recording half-finished song ideas, and supplying (nearly) all the instrumentation and vocals himself. This track is our first taste of the future McCartney album.

I Will
There is, strictly speaking, no bass on this track. No bass guitar, anyway. The low notes are from Paul, making bass guitar noises with his mouth.

Julia
John credited Donovan with teaching him the peculiar finger-picking guitar style he uses on this song. It wouldn't be the last time he used that style, either. Play this track back-to-back with "Look at Me" from John's first solo release, the Plastic Ono Band album, and it's nearly like hearing the same song twice.

Wednesday, May 31, 2017

Octopus' Garden Review of Beatles Poetry Book

9:36 AM Posted by Nicole M
Adapted with permission from Octopus' Garden fanzine, Volume 26, Issue #4, May 2017. Review by Tom Aguiar.


Any Rhyme At All by Terri Whitney. The Rockin' Rhymer, U.S.

 Poetry is more than writing. It is an art form that is responsible for projecting the feelings or ideas of the writer and causing an effect on the reader on some level. Whether the poem is about a person or an event, it must have the ability to touch you and make you feel something inside. Good poetry does that.

 The title of this book is a great play on the title of the Beatles song “Any Time At All,” and grabs you as soon as you pick up the book. The subtitle, “A Fan’s Journey,” gives you a hint of what’s inside – a story about the Beatles… and yet not about the Beatles.

 The book is separated into four chapters, each highlighting a part of the history of the Beatles and, by extension, the fan’s history. The Beatles are the backdrop to each poem but each poem projects more than the Beatles. Whether it is the Beatles themselves and those connected to them or the legacy that they have given us, the reader will feel an emotional element within each poem.

 The style of Whitney’s poetry appears to be narrative within free style structure. She uses both 4 line and 6 line form in talking about a subject, event, or person. Her work is well structured and clearly conveys a feeling or attribute about the topic of the poem. Each poem is sprinkled with personal feelings or general feelings about the topic that effectively depict the impact that resulted from the existence of “a world with the Beatles.” They made a difference in people’s lives whether individually or collectively and that message comes through in her writing.

 Each poem is accompanied by classic style charcoal artwork done by Amy Heintzelman. The drawings add character to each story that Whitney is telling. They are rendered in the perfect style for the book as it brings a visual understanding to the feelings conveyed within the poem.
 
What do you do when two of your loves are writing poetry and the Beatles? You incorporate the two and publish what you have put into words. The trick is to avoid the appearance of “hero worship” and Whitney accomplishes this with ease. The reader will walk away feeling that this book is more about Whitney’s journey in life, one that will mirror most people’s, and reveals how she was affected by the Beatles rather than about the Beatles themselves. This is what the author most likely intended and she has succeeded in her goal. It is warm, and it is from the heart and a good read. You learn more about Whitney and the person that she is within her words and that is what I walked away with after reading Any Rhyme At All. To me the Beatles were secondary in her poetry. I got a glimpse into the person and I recognized the emotions. That was the real pleasure of her poetry.

Any Rhyme At All is available for purchase through Terri Whitney's website: TheRockinRhymer.com